Motionless In White - Topic

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An industrial city situated in Northeastern Pennsylvania, you could say Scranton quietly prides itself on a tried-and-true Rust Belt blue-collar work ethic. For their fourth full-length album and first for Roadrunner Records Graveyard Shift, Motionless In White—Chris Motionless [Vocals], Ricky Horror [Guitar], Ryan Sitkowski [Guitar], Ghost [Bass], and Vinny Mauro [Drums]—dug into the roots of their hometown’s pervasive attitude. “We’re a band that came out of the small town blue-collar spirit,” affirms Chris. “We put ten years into growing this and working hard to do what we love the most. We look forward to putting in another ten. Both the area we come from and the fan base brought us to this point. Graveyard Shift is all about that work ethic. It’s been instilled in us. Early on, we realized if you give the time and effort to chase a dream, it’s possible to achieve it by the sheer amount of drive and passion you have.” Since 2006, that ethos has fueled Motionless In White’s rise to the upper echelon of modern rock. Albums such as 2010’s Creatures and Infamous in 2012 would galvanize a rabid fan base around the quintet. During 2014, Reincarnate reached new heights, bowing at #9 on the Billboard Top 200 and claiming #1 on Billboard’s Top Rock Albums Chart. The title track and lead single turned into a Top 20 Active Rock smash and notched 13.2 million YouTube views and 9.8 million Spotify streams. Simultaneously, they have shared stages alongside everyone from Slipknot, Korn, and Breaking Benjamin to A Day To Remember and Marilyn Manson in addition to making arresting festival appearances at Warped Tour, Aftershock, Rock On The Range, Rock Allegiance, and beyond. In 2016, they entered a Los Angeles studio with producer and longtime collaborator Drew Fulk [Emmure, Crown The Empire] to record what would become Graveyard Shift. “It was all about writing bigger, better, and more refined songs,” exclaims the frontman. “On Reincarnate, we felt like we had discovered our true identity. This record wasn’t so much centered on experimentation as it was on refinement. In the past, I feel like I always placed the vocals second to music. This time, there was a focus on trying to make sure the vocals had their big moments. That was a major key in really making Graveyard Shift separate from all of the other albums. I haven’t really been able to look back at anything I would’ve done differently or something I didn’t feel like I put my whole heart into here. I just